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Hybrid solar-geothermal energy absorption air-conditioning system operating with NaOH-H20 - Las Tres Vírgenes (Baja California Sur), "La Reforma" case

YURIDIANA ROCIO GALINDO LUNA EFRAIN GOMEZ ARIAS Rosenberg Romero EDUARDO VENEGAS REYES MOISES MONTIEL GONZALEZ HELENE EMMI KARIN UNLAND WEISS ANTONIO GONZALEZ FERNANDEZ JORGE DIAZ SALGADO (2018, [Artículo])

Solar and geothermal energies are considered cleaner and more useful energy sources that can be used to avoid the negative environmental impacts caused by burning fossil fuels. Several works have reported air-conditioning systems that use solar energy coupled to geothermal renewable energy as a thermal source. In this study, an Absorption Air-Conditioning System (AACS) used sodium hydroxide-water (NaOH-H2O) instead of lithium bromide-water to reduce the cost. Low enthalpy geothermal heat was derived from two shallow wells, 50 and 55 m deep. These wells are of interest due to the thermal recovery (temperature vs. time) of 56.2 _C that was possible at the maximum depth, which can be used for the first stage of the process. These wells were coupled with solar energy as a geothermal energy application for direct uses such as air-conditioning systems. We studied the performance of an absorption cooling system operating with a NaOH-H2O mixture and using a parabolic trough plant coupled with a low enthalpy geothermal heat system as a hybrid heat source, as an alternative process that can help reduce operating costs and carbon dioxide emissions.

Aire acondicionado Energía geotérmica INGENIERÍA Y TECNOLOGÍA

Potential impact of prosthetic biomaterials on the periodontium: a comprehensive review.

NATIVIDAD CASTRO ALARCON Artak Heboyan Gustavo Fernandes Norma Samanta Romero Castro (2023, [Artículo])

The success of a prosthetic treatment is closely related to the periodontal health of the individual. The aim of this article was to review and present the importance of prosthetic restorative materials on the condition of the periodontium, the changes that occur in the composition of the subgingival microbiota and the levels of inflammatory markers in gingival crevicular fluid. Articles on the influence of different prosthetic restorative materials on subgingival microbiota and proinflammatory cytokines were searched for using the keywords ¿prosthetic biomaterials¿, ¿fixed prosthesis¿, ¿periodontal health¿, ¿subgingival microbiota¿, ¿periodontal biomarkers¿ and ¿gingival crevicular fluid¿ in PubMed/Medline, Science Direct, Scopus and Google Scholar. The type of material used for prosthesis fabrication together with poor marginal and internal fit can result in changes in the composition of the subgingival microbiota, as well as increased accumulation and retention of dentobacterial plaque, thus favoring the development of periodontal disease and prosthetic treatment failure. Biological markers have helped to understand the inflammatory response of different prosthetic materials on periodontal tissues with the main purpose of improving their clinical application

in patients who need them. Metal-free ceramic prostheses induce a lower inflammatory response regardless of the fabrication method; however, the use of CAD/CAM systems is recommended for their fabrication. In addition, it is presumed that metal-ceramic prostheses cause changes in the composition of the subgingival microbiota producing a more dysbiotic biofilm with a higher prevalence of periodontopathogenic bacteria, which may further favor periodontal deterioration.

prosthetic biomaterials fixed prosthesis periodontal health MEDICINA Y CIENCIAS DE LA SALUD CIENCIAS MÉDICAS SALUD PÚBLICA

La expresión del inconsciente arquetípico a través del cuerpo bailado y esculpido en el teatro mitológico afrocubano de Eugenio Hernández Espinosa

Rosana Herrero-Martin (2023, [Capítulo de libro])

En este artículo se analizarán desde una perspectiva jungiana y holística una selección de momentos dancísticos y escultóricos en tres obras dramáticas del corpus teatral mitológico del autor cubano Eugenio Hernández Espinosa (María Antonia, 1967; Odebí, el cazador, 1980, y El Elegido, 1995), protagonizadas en los tres casos por diferentes orishas, nombre con el que se conocen popularmente en Cuba —concretamente en la tradición cultural y espiritual yoruba de la isla— a las manifestaciones antropomórficas, físicas, vivenciales y sobrenaturales de la divinidad. El paradigma de análisis aplicado es principalmente el del pensamiento integral de Ken Wilber, por el cual cuerpo-mente-psique-divinidad se conciben como un todo interconectado, integrado y resonador dentro del proceso de individualización de la persona, siendo el cuerpo el vehículo, el espejo, la palanca y la puerta de acceso, es decir, siendo el cuerpo el que refleja, activa y abre el resto de las dimensiones.

In this article, a selection of dance and sculptural moments in three dramatic works from the mythological theatrical corpus of Cuban author Eugenio Hernández Espinosa will be analyzed from a Jungian and holistic perspective (María Antonia, 1967; Odebí, the Hunter, 1980, and The Chosen, 1995). All three plays star a selection of Orishas, the name by which the anthropomorphic, physical, experiential and supernatural manifestations of divinity are popularly known in Cuba — specifically in the island’s Yoruba cultural and spiritual tradition. The analytical paradigm to be applied is mainly Ken Wilber’s integral thought, by which body-mind-psyche-divinity are conceived as an interconnected, integrated and resonating whole within the person’s individualization process, the body being the vehicle, the mirror, the lever and the access door, that is, the body being the one which reflects, activates and opens the rest of the dimensions.

Eugenio Hernández Espinosa, arquetipos, orishas, teatro mitológico. Archetypes, orisha, mythological theatre. Archetype (Psychology) in art. Dance--Psychological aspects. Body and mind. Orishas in art. Arquetipo (Psicología) en el arte. Danza. Mente y cuerpo. Orishas. Autores cubanos. PQ7390.H397 HUMANIDADES Y CIENCIAS DE LA CONDUCTA CIENCIAS DE LAS ARTES Y LAS LETRAS TEORÍA, ANÁLISIS Y CRÍTICA DE LAS BELLAS ARTES TEATRO